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Because of various requirements and specifications for microwave filters such as stopband attenuation, narrow versus wideband, return loss requirements, and microstrip element lengths a multitude of distributed bandpass filter structures have been created for microwave frequencies Only the most common will be discussed here Nearly all of the following structures can be designed with the various general passband shapes, such as Butterworth, Chebyshev, Bessel, as well as the less common singly equalized transitional gaussian (6 and 12 dB) and the elliptic types of the Cauer-Cheby: 1 Edge-coupled bandpass filters (Fig 637) are effective in narrowband applications But they can radiate which necessitates shielding They can also be an unusually long structure at the lower microwave frequencies: At 1 GHz, edge-coupled bandpass filters are up to 32 inches long in a seventhorder configuration (depending on board dielectric constant and thickness) 2 Combline bandpass filters (Fig 638) employ both distributed and lumped (capacitor) elements, and are used in narrowband applications where size is at a premium: a seventh-order combline is only a little over 1 inch long at 1 GHz 3 Folded edge-coupled bandpass filters (Fig 639) are utilized in narrowband filtering applications, and are very similar to the edge-coupled bandpass filters above However, they are considerably shorter: 8 inches at 1 GHz for the seventh-order type 4 Interdigital bandpass filters (Fig 640) are adopted in narrowband applications, and are quite compact: 2 inches long at 1 GHz for a seventh order It is especially important at high frequencies for the measurement of stub lengths to be accurate in distributed design, since the higher the frequency the shorter will be the stub, and the less room for error there will be An effective

trigger blockDuplicates_tgr on Lead bulk(before insert, before update) { /* * begin by building a map which stores the (unique) list of leads * being inserted/updated, using email address as the key */ Map<String, Lead> leadMap = new Map<String, Lead>(); for (Lead lead : SystemTriggernew) { if (leadEmail != null) { // skip null emails /* for inserts OR * updates where the email address is changing * check to see if the email is a duplicate of another in * this batch, if unique, add this lead to the leadMap */ if ( SystemTriggerisInsert || (SystemTriggerisUpdate && leadEmail != SystemTriggeroldMapget(leadId)Email)) { if (leadMapcontainsKey(leadEmail)) { leadEmailaddError('Another new lead has the same email address'); } else { leadMapput(leadEmail, lead); } } } } /* Using the lead map, make a single database query, * find all the leads in the database that have the same email address

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AS A MATTER OF FACT Don t rush a photo session Take some time to talk to your subject Get him or her laughing if you can, even if you want a serious pose Many people don t like how they appear in photographs The main reason is that they re tense about being photographed, and this shows in their faces, if not in the outright scowl that appears at the first sight of a camera If you can get your subject to relax and assure them that no one s going to see a photograph that makes them look bad, you ll both have an easier time of it, and your photo will be a lot better If possible, take candid photos There s no rule about whether a portrait should be candid or posed Both work But a truly candid pose will capture the person with their guard down Compare the same person in the two photos in Figure 3-10

Part II: